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Mara’s soulful turn as the pregnant Ona really evokes the themes of the film, and she is even the main subject of the narration that plays throughout it. Like Octavia Spencer and Jessica Chastain, Foy and Buckley seem destined to be Best Supporting Actress nominees, with one of them even winning, but to clear the way for that, and also highlight another great performance in the film, Rooney Mara could campaign for Best Actress the same way Viola Davis did in 2011.
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While it is a vastly different kind of film than “The Help,” that film does provide a bit of a roadmap on how to approach deciding which actresses go where. The film tells the story of women in a Mennonite colony who have been raped by their male counterparts, and must together decide whether to stay or leave their home. Despite the film featuring stunning performances from the likes of Claire Foy, Jessie Buckley, and more, it does not exactly have a clear lead. In addition to “TÁR,” the breakout film of Telluride was “Women Talking,” the latest film from writer/director Sarah Polley.
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If there is a counter-narrative, it is that her character Lydia Tár quite easily rubs people the wrong way (which some may argue is the point), so the film’s near three-hour runtime may prove to be a difficult experience for viewers who have a distaste for her. “TÁR,” Cate Blanchett’s new film with writer/director Todd Fields that is a portrait of a female artistic genius in a downward spiral, had many festival goers declaring that the Best Actress race has already been settled, and Blanchett will surely collect her third Oscar this March. During the weekend of Venice and Telluride, there were two actresses dominating the conversation for better or worse.